Category Archives: Stacey


Books that make you laugh

It’s not that often that we talk about books being funny. People look to books for a lot of things, and it’s not always to laugh. Yet there are many authors who write about serious and not so serious matters in a humorous way. And those books can be very successful.

I thought this Slate piece was kind of fun (if not funny) that asks Maria Semple the books that she picks as her top funny reads. Then they asked those three to pick their top books and it goes on in a visual pyramid with all of the colorful book covers represented. All in all, it adds up to 82 books that you can read for a laugh, some of which are by well-known authors (David Sedaris, Philip Roth, Bill Bryson, Sherman Alexie etc.)  and a couple of which are recommended twice (THE HATERS by Jesse Andrews, and WHAT I’D SAY TO THE MARTIANS by Jack Handey, must read those).

I’m a fan of classics like A CONFEDERACY OF DUNCES and the more recent WHERE’D YOU GO, BERNADETTE by Maria Semple for their originality and unique voices. On the nonfiction side, comedians like Tina Fey, Mindy Kaling, and Amy Schumer all have huge bestsellers. I enjoy the wackiness of Jenny Lawson, and I think Sloane Crosley is writing smart, funny nonfiction for a younger generation, finding humor in everyday situations.

What are your favorite funny books, or serious books that still make you laugh? It’s a hard balance to strike but I do think there is room in the marketplace for more smart, humorous fiction and nonfiction.








What’s trending in fiction

The annual Frankfurt Book Fair is almost upon us and even though it doesn’t actually begin until next month, there are already reports of some big deals happening. As agents, we watch what books are selling to publishers very closely, and we look at the deals coming out of these fairs as way to see what is trending in the marketplace.

A couple of things to note about these two deals they mention. First, they’re both thrillers. Seems GONE GIRL and GIRL ON THE TRAIN’s remarkable successes have paved the way for publishers to be really excited about new thrillers. This isn’t new news, and despite an overly crowded marketplace, the books with the right combination of elements are still working. We’re reading one now for book club, THE WOMAN IN CABIN 10 by Ruth Ware, which has already sold almost 100,000 copies in hardcover, according to Bookscan, since its publication in July. Clearly, having woman or girl in your title is a sure way to the bestseller list!

Product Details

Another thing that appeals to me personally is the motherhood angle of the first book Publisher’s Weekly mentions – Gin Phillip’s BEAUTIFUL THINGS, which reportedly sold for close to a million dollars. It’s a thriller which takes place over just 3 hours about a young mom who gets trapped in a zoo with her young son and an armed gunman. I love the premise. It’s simple, but scary and high-concept, and feels original and fresh.

Something else that strikes me about the recent Frankfurt deals is that the second one they talk about, Caz Tudor’s 2-book deal with Crown here in the US, is a debut author from the UK who won a contest for the first book, sponsored by Bonnier and called Twenty7, which offers aspiring writers professional feedback on their unpublished manuscripts. It’s really amazing to see that this freelance copyeditor is now going to be a major internationally published author with sales already in 25 territories.

For now at least, thrillers are still working in the market so polish up those thrillers and send them our way; we’d love to take a look.

The inside scoop on writing for kids

All you aspiring writers out there – don’t you sometimes wish you could sit down with an experienced editor and ask a book’s worth of questions about children’s book publishing? Well, your wish has been granted in the form of a new book written by children’s book editor and author Cheryl B. Klein.

Her site alone is full of good information for aspiring authors but it’s her new book, THE MAGIC WORDS: WRITING GREAT BOOKS FOR CHILDREN AND  YOUNG ADULTS that is really going to give you the inside track.

In case you don’t know, the publisher she works for as the Executive Editor, Arthur A. Levine Books, an imprint of Scholastic, published a little series called Harry Potter. Arthur Levine is the genius editor who recognized its market potential and bought it for the U.S. market. Their list is incredible and it’s a very small team that acquires and edits all of their books. She’s worked on a range of books, from picture books to YA, and she even worked on the last two books in the Harry Potter series.

THE MAGIC WORDS  itself has been generating good response and positive reviews. Booklist, a trade publication, gave it a starred review.  They describe it like this:  “For anyone wishing to write for young readers, Klein’s remarkable new book will be a sine qua non, an indispensable, authoritative guide to the act, art, and craft of creation. An editor for 15 years, Klein clearly knows her apples about the writing—and publishing—process and demonstrates an extraordinary gift for analyzing it, breaking it into its constituent parts, and reducing those parts to other parts until an essential kernel of truth is uncovered.”

Seems to me it’s more than a worthwhile investment (of under $20!) to learn about the unique craft of writing fiction for children from one of the best and brightest in the business. How she had time to write this book is beyond me, but I’m very glad she did so I can share it with all of you!

Bestselling poetry in motion

It’s not often that you hear about a poetry collection becoming a commercial bestseller, but in the case of Rupi Kaur’s MILK AND HONEY, that’s exactly what’s happened.

To me, as much as it’s categorized as poetry, I see it more as a lifestyle book, skewing  inspirational self-help, definitely has spirituality and mind/body/spirt overtones. It’s like a collection of poetic mantras for a healthy, positive way of living coming from a place of women overcoming adversity and female empowerment. She addresses dark issues like sexual abuse and survival. Here’s a Buzzfeed piece which lists a sampling of her work like:

“we all move forward when

we recognize how resilient

and striking the women

around us are”

As evidenced in this article from Publisher’s Weekly, she self-published her first book and Andrews McMeel, an independent publisher based in Kansas City primarily known for humor and gift books, took notice and signed up the author to give the book a wider distribution through its networks.

I think it illustrates that if you are able to tap into a receptive audience, no matter what category you are writing in, you can be successful. Social media really helped Rupi Kaur build a name for herself and her work, as well as visiting college campuses to share her spoken-word poetry. Her work was resonating, and the book is an extension of a platform she has worked hard to build and develop. May many others follow in her brave footsteps!

Platform talk

There was a blog post recently from Eric Smith that got a lot of attention around publishing circles. My colleague, Sharon, passed it around the office for all of us to see, and I thought it might be a good idea to share wider with our blog readers as well.

Periodically the conversation changes about what authors should be doing to reach their fans once they’re published or how to build up their fan base before they’re published. One of the nice things about the piece is that it gives a few examples of authors doing things that are effective.

When I’m at conferences or talking with prospective authors, I often discuss what I refer to as the “platform pie.” Years ago, you had a good book idea, you got it published and you built your platform around the book. Now, the book has to be one of the last pieces of the platform pie, with the others already in place when you sell the book. Other pieces of the pie include social media, traditional media (radio and tv), public speaking, and writing online and offline for blogs, websites, newspapers and magazines.

A good example on my own list is Amy Morin, author of 13 THINGS MENTALLY STRONG PEOPLE DON’T DO and the upcoming 13 THINGS MENTALLY STRONG PARENTS DON’T DO. Her writing career started with freelance articles, one of which, talking about Amy’s groundbreaking work on mental strength, went viral in late 2014. I sold the book that became 13 THINGS just a few weeks later after feverishly working on it over the holidays.  She then took that success and extended her platform, writing for various publications, doing radio and tv interviews, and setting up speaking engagements in front of all kinds of audiences which eventually led to a Tedx talk and many other outlets to grow her platform.

It’s the end of summer and most of us are hanging on to the last few days before the busyness of September kicks in. This is a good thing to be thinking about while sitting on the beach, sipping ice cold cocktails, all the ways in which you can make your voice heard.

Potter mania!

I know I’m not the only one talking about Harry Potter these days. The new “book”, which is really the published version of the play currently running in London (oh, how I wish I could go!) went on sale this week and the frenzy is out of control.

Publisher’s Weekly reports here that sales have already topped 2 million copies, in North America alone. I admit I’m one of those who preordered the book as soon as I heard it was becoming available. I actually realized that I did it twice so now have 2 copies on their way! Midnight parties across the country attracted kids and adults of all ages.

I just love how a fictional character has caused such a stir in popular culture. It’s such a positive reminder of the lasting impact books can have in a time when there is so much negativity being put out into the media. It’s incredible and practically unfathomable to me that a published play could achieve this level of success. I love theater so it’s heartening to me to know that this medium can generate big numbers, as evidenced by this new Harry Potter as well as the huge success of Hamilton (my other current obsession, more exciting news to come on that in a later post).

We’ve had our own version of Potter fever around here lately. While my oldest daughter is away at sleepaway camp, her younger sister dressed up as Harry for Halloween in July at camp (photo below). I was impressed with how she put the costume together with adult glasses and the scar drawn on a piece of scotch tape, and it helped we still have our wands from our amazing visit to Potter World at Universal in Florida last November.

Have you ordered your copy of Cursed Child yet? If you have and you’ve read it, please let us know what you think. Michiko Kakutani’s review in the New York Times was very positive and she’s one tough critic. She actually refers to it as “a compelling, stay-up-all-night read.” I’m so excited to dive back into the wonderful world of Harry Potter and read it with all the girls when Sam’s back from camp. Will let you know how it goes!

ps- my first copy arrived while I was writing this post, and it’s a beautiful book:

Will books survive if Barnes & Noble doesn’t?

There is no shortage of articles that have been written over the last few years (and beyond) about the death of publishing. There’s little doubt that the industry has changed dramatically since I became an agent in 1999. Back then we had meetings to talk about digital books, and the consensus was it was not going to happen, at least not anytime in the near future and not in a way that would have a dramatic impact on the sale of print books. Well, we all know what a big impact digital publishing has had on the book market in recent years. The good news is publishers are still finding ways to maximize print sales as well as digital sales so it’s another revenue stream to mine that has cost benefit to publishers.

This recent piece in speaks to a specific, if not new, concern for publishers and the book business – the potential demise of Barnes & Noble. Bear in mind, this has been a topic of conversation for many years and despite rumors, challenges and financial constraints, B&N is still in business.

Alex Shephard mentions in the piece: “In a world without Barnes & Noble, risk-averse publishers will double down on celebrity authors and surefire hits.” That might be true, but we’ve been seeing this for a long time. Same with his assertion that “Literary writers without proven sales records will have difficulty getting published, as will young, debut novelists. The most literary of novels will be shunted to smaller publishers. Some will probably never be published at all.” This has been a refrain we’ve heard on repeat for years.

My sense about the retailer’s impact on the book business if it were to shutter its doors is that it would be a significant and negative impact, but not an insurmountable one. No question, B&N has been a wonderful partner for bringing books to a wider audience. They provide some very nice opportunities for books and authors, from in-store events to co-op advertising (front of store placement) to their now 25 year-old Discover Great New Writers program. And while publishers still rely heavily on B&N’s feedback on many things, including covers (I’ve had several covers change at the last minute because B&N didn’t like it), the truth is that the number of books they purchase for their stores has dropped dramatically over the years. Yes, they still carry lots of copies of the big bestsellers, as do all the retailers, but they take a lot fewer copies of almost everything else.

This, in part, has resulted in smaller first printings for most books from years past with the hope that if the book starts selling, publishers can quickly hit the reprint button and fulfill market demand. But that doesn’t feel like new news to me. I hope B&N can survive and find a way to thrive in a very difficult market, but I feel strongly that even if that doesn’t happen, authors, publishers and agents will figure out a way to make it work, just like we’ve always done.



The bookshelf project: part 2

After posting about the recent arrival of my long awaited built-in bookshelves, and getting some great feedback from our readers, family, and friends, I finally embarked upon the multi-hour project and wanted to share the end result (still a work-in-progress) here:

To give you some more information about the strategy (and it was discussed extensively before the project began as well as throughout the endeavor!), I’ll share how it all played out. We started by unpacking books from boxes as well as taking off of shelves from my office one copy of each of the books I’ve sold during my almost eighteen years at DGLM.

We then labeled the shelves with post-its indicating which category of books would go into which shelves. The broad sections include adult fiction, cookbooks, illustrated/craft, practical nonfiction, narrative nonfiction, and children’s. For categories where we had more books, we used more shelves. For the cookbooks, we divided them into sections: general, vegetarian/vegan, and baking and then alphabetized them within the section. Then we filled in the two top shelves with foreign editions of my titles.

We mixed the style of display with horizontal and vertical and left a few books standing up and facing out, and then filled in some blank spaces with decorative touches and picture frames. At that point, we’d filled ten of the fourteen sections, and the other four sections we used for additional cookbooks, miscellaneous awesome books (Hamilton!), and my beloved large and growing collection of books signed by the author, which includes mostly children’s books (I’m that person who will go to an author event with or without my children to get a signed book!) and a few celebrity titles.

I have a lot more books that I’ve read and collected over the years, but I didn’t want to pack the shelves too tight so I could leave room for more of my own titles to fill in. At some point I’ll get another large bookcase which I’ll put  in a different room to house  the others, but for now I’m happy my living room bookshelf project is finally complete.

Please let me know what you think and if you have any suggestions for changes or improvements!


Books that spark joy!

As many of you might already know, I’m a bit of the office optimist. I love stories that inspire, delight, and enlighten. I also am a huge fan of Ann Patchett, both her writing and her overall persona. I love that she opened an independent bookstore in Nashville, and I also love that she periodically writes for their blog.

I was pleased to see this post she wrote about books that spark joy. The list describes books she personally finds joy in, and then she gives some suggestions from her staff so there are a lot of good suggestions.

Patchett  got the idea from another employee at the store who had written about books that make you cry. The reason we all read is ultimately for the emotional , spiritual or intellectual response elicited from a writer’s words. Depending on your place in life, the books that have meaning at that time can make a lasting impact.

As a child, Judy Blume did this for me, as well as Torey Hayden’s books about troubled kids. In college, it was fiction like Donna Tartt’s The Secret History that made me want to get into the world of books. I remember walking to campus in Boston reading while I walked because it was so good. This was long before distractions were digital!

When I started working in working in publishing, I worked for Polygram Filmed Entertainment  in development and read Sleepers by Lorenzo Carcaterra overnight after faxing the ENTIRE MANUSCRIPT to LA. Then I found joy and solace in writers like Ann Patchett and Annie Proulx. I loved The Shipping News.

Today it’s more about narrative nonfiction like Brain on Fire and When Breath Becomes Air and psychological commercial women’s fiction from authors like Liane Moriarty and Gillian Flynn. And of course the children’s books I read with my kids. The Harry Potter series is an overall favorite, mostly because my eleven-year-old is obsessed with it, and two out of four are loving Wonder right now. They all loved my client Cecilia Galante’s upcoming touching and heartwarming The World from Up Here.

The idea of books that spark joy, and elicit that positive response that makes us feel good is such a coveted pleasure of reading that I love thinking about it in those terms.


How do I fill these shelves?!

When I moved into my house almost 7 years ago, I told myself I’d have to build bookshelves to store all my books. As the years wore on and the kids got bigger, the book piles did too. I now have books, both ones I’ve represented and ones I’ve bought or been given, in every corner of my home.

Finally, the bookshelf project has come to fruition (see below) and I now find myself with two very large empty built-in bookcases and a big question of how to fill them.


I’d love some help from our blog readers. How do you store your books? Are they organized by category, color, alphabetical or some combination? I love those photos I’ve seen of spines organized by color so the shelves have a rainbow effect, but it seems so impractical to me as someone who will likely be adding books on a regular basis.



Because I represent books in many categories for both children and adults, it seems that might be the way to go. As one of my friends pointed out, though, because this is the first thing you see when you walk in my house, the books should be for display rather than for storage purposes. My instinct initially was to cram as many books as possible in to the shelves, but I think she has a point. Maybe this is a case where less is more. Below you’ll see some of the books I’ve represented that I currently have stacked on my piano.


I also like the idea of doing a combination of horizontal and vertical stacks. Should there be a pattern to that?


Would love to know what you think and how you display your books. Please feel free to send photos along. I love the visuals. And if anyone would like to volunteer to come help with what feels like an overwhelming project, please let me know!